I got the following email question late Monday:
How many of the stories do you actually read before they go to print?
First, let me assume that this is not a subtle dig at my work ethic.
The answer is it depends on what I’m doing that day. On occasion, I fill in for other editors while they are on vacation or assigned to a project. In those instances, I’ll read a lot of stories. From a supervisory standpoint, myself and the executive editor manage the newsroom, but it’s not feasible or practical for one person to read everything before publication. On a typical day, I may be personally involved with anywhere between half a dozen to a dozen stories—from sketching out how to approach a topic to the writing and the graphics etc. I try to read the stories that I think are most significant and most complex.
If nothing else, having a third or fourth set of eyes—and hopefully a fresh set of eyes—on a story is very helpful.
Some of you might be familiar with a concept called the Stockholm Syndrome. It sort of means that the kidnapped start to identify with the kidnappers. Editors and journalists have to guard against a similar type of effect while working on a story. We can become too familiar with a topic and that can alter how we present a story, what we include or what we think can be left out.
Your host is Ken Otterbourg, the managing editor at the Winston-Salem Journal. It's a forum to discuss the media, from
Just noticed the BM photo in the backgorund of the header....did you do this on purpose??
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